“By 1938, Scotland had for nearly 200 years lived within a classic peripheral identity assigned to it by the artists and ideologues of the great European core cultures through the mode of Romanticism and their control of the means of… — Colin McArthur Copy Share Image
“Scotland was not imune to these developments, but since their role in France, Germany, Itay and Poland was to provide the ideological amunition to further political (and sometimes military) advance, there was no obvious use for them in Scotland, given… — Colin McArthur Copy Share Image
“By 1938, Scotland had for nearly 200 years lived within a classic peripheral identity assigned to it by the artists and ideologues of the… — Colin McArthur Copy Share Image
“To recall the extent to which Hitchcock was marked by his petit bourgeois interpellation may not radically change the way we read his films.… — Colin McArthur Copy Share Image
“The gallery context of Scotch Myths puts the objects on display in an interrogatory framework in a way that their presence in souvenir shops… — Colin McArthur Copy Share Image
“Scotland was not imune to these developments, but since their role in France, Germany, Itay and Poland was to provide the ideological amunition to… — Colin McArthur Copy Share Image
