“The gallery context of Scotch Myths puts the objects on display in an interrogatory framework in a way that their presence in souvenir shops does not. Similarly, the exhibition catalogue explicitly poses the correct questions and reinserts the objects into… — Colin McArthur Copy Share Image
“By 1938, Scotland had for nearly 200 years lived within a classic peripheral identity assigned to it by the artists and ideologues of the… — Colin McArthur Copy Share Image
“To recall the extent to which Hitchcock was marked by his petit bourgeois interpellation may not radically change the way we read his films.… — Colin McArthur Copy Share Image
“The gallery context of Scotch Myths puts the objects on display in an interrogatory framework in a way that their presence in souvenir shops… — Colin McArthur Copy Share Image
“Scotland was not imune to these developments, but since their role in France, Germany, Itay and Poland was to provide the ideological amunition to… — Colin McArthur Copy Share Image
