I was aware of that theme of mortality in my music since around 2009. The decaying and the disappearance of the piano sound is very much symbolic of life and mortality. It's not sad. I just meditate about it. — Ryuichi Sakamoto Copy Share Image
In Japan, there has always been a small number of musicians who have been outspoken on social issues, but they tend to be dismissed… — Ryuichi Sakamoto Copy Share Image
I was really into the music of Cream after I finished composing the music for 'BTTB.' — Ryuichi Sakamoto Copy Share Image
I am worried that young Japanese people are not very curious about the outside world - which is so different to the way we… — Ryuichi Sakamoto Copy Share Image
My audiences are generally mixed. Some people like techno, others are into the pop music, and others enjoy my film music. — Ryuichi Sakamoto Copy Share Image
It's a very intimate, closed universe, doing my own music. It's just me, basically. I have to inspire myself; I have to do everything… — Ryuichi Sakamoto Copy Share Image
In Japanese culture, there is a belief that God is everywhere - in mountains, trees, rocks, even in our sympathy for robots or Hello… — Ryuichi Sakamoto Copy Share Image
I think there's a genuine difference between the real and the virtual in music. — Ryuichi Sakamoto Copy Share Image
My interests are moving toward both 'sound and music,' not just 'music.' I have been doing lots of field recordings and also collecting lots… — Ryuichi Sakamoto Copy Share Image
The global view of cultures is part of my nature. I want to break down the walls between genres, categories, or cultures. — Ryuichi Sakamoto Copy Share Image
I've realised that if it is to remain relevant, contemporary music needs to change. — Ryuichi Sakamoto Copy Share Image
The piano is the closest instrument to me in my life, so it's just natural to play my pieces on the piano. — Ryuichi Sakamoto Copy Share Image
