Music Quotes by Ryuichi Sakamoto

In Japan, there has always been a small number of musicians who have been outspoken on social issues, but they tend to…

— Ryuichi Sakamoto

I was really into the music of Cream after I finished composing the music for 'BTTB.'

— Ryuichi Sakamoto

My audiences are generally mixed. Some people like techno, others are into the pop music, and others enjoy my film music.

— Ryuichi Sakamoto

It's a very intimate, closed universe, doing my own music. It's just me, basically. I have to inspire myself; I have to…

— Ryuichi Sakamoto

I think there's a genuine difference between the real and the virtual in music.

— Ryuichi Sakamoto

My interests are moving toward both 'sound and music,' not just 'music.' I have been doing lots of field recordings and also…

— Ryuichi Sakamoto

I've realised that if it is to remain relevant, contemporary music needs to change.

— Ryuichi Sakamoto

I'm really bad writing the chase scenes or fighting scenes. I'm much better for writing, like, a more melancholic or tragic music.

— Ryuichi Sakamoto

For making music for myself, I just need to be happy. I'm the producer, the director, and the listener.

— Ryuichi Sakamoto

The majority of the people think that noise is not music. I want to accept noise and even errors and glitches. I…

— Ryuichi Sakamoto

You can use existing music in a film, but creating a soundtrack is very different. One note can be enough.

— Ryuichi Sakamoto

The first music I got really into was Bach.

— Ryuichi Sakamoto

I want to capture the mood I have now, post-cancer, in my music.

— Ryuichi Sakamoto

A young musician needs a powerful laptop and a good analogue synthesiser.

— Ryuichi Sakamoto

In the old days, people shared music; they didn't care who made it. A song would be owned by a village, and…

— Ryuichi Sakamoto

My concept when making music is that there is no border between music and noise.

— Ryuichi Sakamoto

I loved the freedom of improvised music.

— Ryuichi Sakamoto

My main interest in synthesizers when I was an older teenager was to escape from the spell of the 12-tone system or,…

— Ryuichi Sakamoto

I wanted to hear sounds of everyday objects - even musical instruments - as things.

— Ryuichi Sakamoto

Asian music influenced Debussy, who influenced me - it's all a huge circle.

— Ryuichi Sakamoto

Ever since I was 18 or 19, I've wanted to question the sound, tones, and scale associated with the piano as an…

— Ryuichi Sakamoto

When I imagine some music in my mind, almost automatically, I imagine the piano keys.

— Ryuichi Sakamoto

I like to write film music that stands on its own.

— Ryuichi Sakamoto

Conceptually, I am open to mistakes - errors, actually. I do play lots of wrong notes while I am making some music,…

— Ryuichi Sakamoto

Music has become something different from the past, when it was one hundred per cent live. Throughout the twentieth century, it was…

— Ryuichi Sakamoto