Now, the relationship the storyteller has with the audience is a much higher quality relationship. You treat them with a lot more… — Tim Kring Copy Share Image
That's the fun thing of casting a show. I'm a pretty strong believer that TV makes stars, not the other way around. I love… — Tim Kring Copy Share Image
The most exciting part of the casting process was casting out of Israel, which was a really unique process, mainly done remotely from California,… — Tim Kring Copy Share Image
You can very often start a new season with a lot more viewers than you had, leaving off the season before. It's a chance… — Tim Kring Copy Share Image
I really enjoy the pastiche storytelling of watching separate stories slowly collide with one another. The audience gets to participate in trying to guess… — Tim Kring Copy Share Image
The depth of talent in Israel is just spectacular. I was very excited by it because when you cast in LA, you tend to… — Tim Kring Copy Share Image
Even the most loyal viewers of a show would only watch one out of three episodes. As someone who made television, I always found… — Tim Kring Copy Share Image
I'm interested in how small the world really is, and this notion that what happens in one place affects someone else. — Tim Kring Copy Share Image
In the shows I've done serialized storytelling with, there are big open questions, but you like every episode to be identifiable as what it… — Tim Kring Copy Share Image
With the casting in Israel, sometimes there were four or five people, that you could just flip a coin and choose from, that would… — Tim Kring Copy Share Image
The ability to be writing towards something that was actually going to be a whole series was a really big lure. — Tim Kring Copy Share Image
All you have to do is do a little bit of research and a floodgate of material comes your way. — Tim Kring Copy Share Image
Tou don't have to spoon feed things to the audience. They have to work at things. Oftentimes, with binge-able stuff, second and third viewings… — Tim Kring Copy Share Image
