I do believe that the audience is capable of embracing quality. But a lot of times, they'll be like, 'Why isn't there ever anything good on TV? Put something good on.' 'Uh, if you watched this, it would help.' — Kevin Reilly Copy Share Image
I always believe that if you stick with quality and give people a chance at the time, that people eventually get on board with it. It's been my experience more than not. Once in a while, there's a show that… — Kevin Reilly Copy Share Image
I love talent because they are passionate. They can be emotional and irrational and unpredictable... and that's okay, because all we want is something… — Kevin Reilly Copy Share Image
It used to be a given that the talent and the talent agencies would line up around the broadcast pitch season first and then… — Kevin Reilly Copy Share Image
People love television; they're watching a lot of it in a lot of ways. — Kevin Reilly Copy Share Image
The one thing that I'm really obsessed with is multi-camera comedy. It is a form that is unique to network television. — Kevin Reilly Copy Share Image
Some of the greatest shows in history - 'Seinfeld,' 'Everybody Loves Raymond' and 'House' - had puny starts but the benefit of schedule protection,… — Kevin Reilly Copy Share Image
Pilots are useful. You just learn things during a pilot - the piece of casting that just wasn't right or things about the storytelling… — Kevin Reilly Copy Share Image
The way television is done, you're kind of set on a certain path, and then episodic directors come in every week to try to… — Kevin Reilly Copy Share Image
The biggest move that put Fox on the map, from an entertainment perspective, was when 'The Simpsons' moved to Thursday night, and that was… — Kevin Reilly Copy Share Image
Creative content is challenging, no matter what, and animation is particularly challenging. — Kevin Reilly Copy Share Image
When you start to feel you're not coming to work with the same enthusiasm, maybe you shouldn't hang onto that job. — Kevin Reilly Copy Share Image
