Restorers of paintings and pottery follow a code of conduct in their work to distinguish the original material from what they are adding later. — Antony Beevor Copy Share Image
The memory of the Second World War hangs over Europe, an inescapable and irresistible point of reference. Historical parallels are usually misleading and dangerous. — Antony Beevor Copy Share Image
I believe passionately in preemptive pessimism, especially before a book comes out. I expect the worst both from reviewers and sales, and then, with… — Antony Beevor Copy Share Image
It is important to understand the continuing, confused fascination with the Second World War. For most of us, the great unspoken question is how… — Antony Beevor Copy Share Image
I was in Estonia when a professor asked me if I was aware that making any criticism of the Red Army during the war… — Antony Beevor Copy Share Image
The blurring of fact and fiction has great commercial potential, which is bound to be corrupting in historical terms. — Antony Beevor Copy Share Image
A blend of fact and fiction has been used in various forms since the dawn of creative writing, starting with sagas and epic poems. — Antony Beevor Copy Share Image
When my first novel was published, I went in great excitement round bookshops in central London to see if they had stocked it. — Antony Beevor Copy Share Image
I feel slightly uneasy at the way historians are consulted as if history is going to repeat itself. It never does. — Antony Beevor Copy Share Image
I'm often reassured in a bizarre - perhaps perverse - way when I find in the archive stuff that contradicts what my assumptions have… — Antony Beevor Copy Share Image
The duty of a historian is simply to understand and then convey that understanding, no more than that. — Antony Beevor Copy Share Image
