These days in movies you can always come back to a location or do an insert or do something, so that's not even an issue any more. But coming back every day to the same plane, it messes with your… — Jaume Collet-Serra Copy Share Image
I wanted to move away from the disaster airplane movies that we have seen in the past and do something that was more mysterious, and delay until the end the resolution of the mystery, and then have to deal with… — Jaume Collet-Serra Copy Share Image
These days in movies you can always come back to a location or do an insert or do something, so that's not even an… — Jaume Collet-Serra Copy Share Image
Producers and studios want to make movies that are more appealing internationally and I think that you have to use your different cultures as… — Jaume Collet-Serra Copy Share Image
The hard part on the subway is that you have, let's say, eight hours, but you have to hit these deadlines. From here to… — Jaume Collet-Serra Copy Share Image
If you do any thriller or horror movie a big part of the process is accounting for the cell phone. — Jaume Collet-Serra Copy Share Image
You have to think of each stage of the movie and how it progresses, get into the state of mind of the character, and… — Jaume Collet-Serra Copy Share Image
Obviously in the close-ups we bring extras around or we do it later, but them running in and the big shots, they don't know.… — Jaume Collet-Serra Copy Share Image
I could only shoot when the subway was on the other platform. Little things like that, and the platform is very narrow. It's not… — Jaume Collet-Serra Copy Share Image
I think video is very useful, but it's very useful when you want a certain reality. — Jaume Collet-Serra Copy Share Image
You know how hard it is to swim take after take and perform the next day swimming again? Me, I'm a terrible swimmer, but… — Jaume Collet-Serra Copy Share Image
You have to offer sort of an evolution visually and do things like you've never seen before, like a fight between two men in… — Jaume Collet-Serra Copy Share Image
