Work at the same time on sky, water, branches, ground, keeping everything going on an equal basis... Don't be afraid of putting on colour... Paint generously and unhesitatingly, for it is best not to lose the first impression. — Camille Pissarro Copy Share Image
Cover the canvas at the first go, and then work on till you see nothing more to add ... Don't proceed according to rules and principles, but paint what you observe and feel. Paint generously and unhesitatingly, for it is… — Camille Pissarro Copy Share Image
I remember that, although I was full of fervour, I didn't have the slightest inkling, even at forty, of the deeper side to the… — Camille Pissarro Copy Share Image
It does not astonish me that the critics in London relegate me to the lowest rank. Alas! I fear that they are only too… — Camille Pissarro Copy Share Image
Observe that it is a great error to believe that all mediums of art are not closely tied to their time. — Camille Pissarro Copy Share Image
At fifty, that is in 1880, I formulated the idea of unity, without being able to render it. At sixty, I am beginning to… — Camille Pissarro Copy Share Image
I began to understand my sensations, to know what I wanted, at around the age of forty - but only vaguely. — Camille Pissarro Copy Share Image
Painting, art in general, enchants me. It is my life. What else matters? When you put all your soul into a work, all that… — Camille Pissarro Copy Share Image
I sometimes have a horrible fear of turning up a canvas of mine. I'm always afraid of finding a monster in place of the… — Camille Pissarro Copy Share Image
We are all the subjects of impressions, and some of use seek to convey the impressions to others. In the art of communicating impressions… — Camille Pissarro Copy Share Image
It is only by drawing often, drawing everything, drawing incessantly, that one fine day you discover to your surprise that you have rendered something… — Camille Pissarro Copy Share Image
