Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play. — Pat Metheny Copy Share Image
No two notes are ever the same volume. With the guitar, you really have to model in your mind this wider thing; you're trying to create the illusion of a bigger dynamic range. — Pat Metheny Copy Share Image
I don't know if I would qualify as mainstream. I think I have managed to function pretty successfully on the fringes of the music… — Pat Metheny Copy Share Image
Jazz is not something that can be defined through blunt instruments. It is much more poetic than that. — Pat Metheny Copy Share Image
I realized that equipment really had little to do with why I sound like the way I sound — Pat Metheny Copy Share Image
Learning to play is mostly about learning to hear, and learning to really listen deeply to sound in a musical way is a lifetime's… — Pat Metheny Copy Share Image
If we are going to list guitar influences, the biggest one by far is Wes Montgomery. Also, Gary Burton was obviously huge for me… — Pat Metheny Copy Share Image
The best musicians are not the best players, they're the best listeners. — Pat Metheny Copy Share Image
To me, there are lots of different stories to tell and you usually find the best way to tell the one you are telling… — Pat Metheny Copy Share Image
If you plan on continuing a tradition, it might be a good idea to find out just what tradition it is that you intend… — Pat Metheny Copy Share Image
Its more about conception and touch and spirit and soul than whether my hardware was in place. — Pat Metheny Copy Share Image
