I ushered at the Shubert in New Haven during graduate school when plays en route to Broadway still went out of town… — John Guare Copy Share Image
You must keep people happy backstage because that affects what's onstage. During a run, the playwright feels like the mayor of a… — John Guare Copy Share Image
You can't kind of take away, you either do or you don't. If you kind of take away something you're a failure. — John Guare Copy Share Image
The New York City Ballet is always about the realm of possibilities, the realm of what the human body can do, what the human… — John Guare Copy Share Image
The imagination says listen to me. I am your darkest voice. I am your 4 a.m. voice. I am the voice that wakes you… — John Guare Copy Share Image
How much of your life can you account for? My life is a collage of unaccounted for brush strokes; I am all random”. — John Guare Copy Share Image
To stay around any place you love, you have to have a job. In college at Georgetown in the fifties, I got my first… — John Guare Copy Share Image
You can read ten books and finally come across one detail, and it's like, "now everything else makes sense. Now I know where I… — John Guare Copy Share Image
I think of the New York City Ballet as the Yankees without George Steinbrenner. — John Guare Copy Share Image
There's no such thing as a perfect play. Sometimes you have to protect the life of the play. — John Guare Copy Share Image
Feydeau's one rule of playwriting: Character A: My life is perfect as long as I don't see Character B. Knock Knock. Enter Character B. — John Guare Copy Share Image
