I believe in naturalistic lighting, which isn't to say natural light. — Rachel Morrison Copy Share Image
So much of 'Mudbound' is about man's relationship to the land and to the elements. It's about the desire for control and how powerless we are against nature. We always knew we would shoot widescreen as a means to isolate… — Rachel Morrison Copy Share Image
Cinematography speaks to everything that women do inherently well: It's multitasking, it's empathy, and it's channeling visuals into human emotion. — Rachel Morrison Copy Share Image
Part of the reason why I love to operate is because I find that so much of what we do is instinctual. It's dancing… — Rachel Morrison Copy Share Image
You can only shoot small movies and documentaries for so long if you want to have a family that you support; eventually, you need… — Rachel Morrison Copy Share Image
As artists, we can't help but infuse our art with our own experience, so your experience becomes informative. — Rachel Morrison Copy Share Image
The first female DPs that I was aware of were Ellen Kuras, Mandy Walker, Nancy Schreiber, Amy Vincent, Sandi Sissel, Maryse Alberti and Tami… — Rachel Morrison Copy Share Image
I think lighting is a reflection of what is at stake emotionally in a movie. — Rachel Morrison Copy Share Image
It would be naive to say that you could make a movie on film for the same price you can digitally. — Rachel Morrison Copy Share Image
Photos have the real task of bringing exposure to places that we otherwise don't have much awareness of. — Rachel Morrison Copy Share Image
I pour my blood, sweat, and tears into a movie. What I always look for is a message and a social consciousness: a relevance… — Rachel Morrison Copy Share Image
Authenticity, to me, is something that you feel, and if it doesn't feel authentic, you pick up on it right away. — Rachel Morrison Copy Share Image
