I have a tremendous amount of patience and tolerance when working with people, but if I ever feel the impulse to inhibit myself from doing one more take, or feel a need to apologize to someone for pushing, I know… — Bennett Miller Copy Share Image
Before I find myself in the middle of a project, I want to make sure it is the kind of thing that keeps me excited for two years. Otherwise, it will be very difficult to push the proverbial rock up… — Bennett Miller Copy Share Image
I don't have many rules, but one of them is, 'Do not make a movie you yourself would not want to see.' — Bennett Miller Copy Share Image
I really tried to get comfortable with the notion of shooting digital on 'Foxcatcher' and just couldn't. I shot many tests and experimented with… — Bennett Miller Copy Share Image
It's about creating an atmosphere so that characters can just live in front of the cameras. And to be sensitive, and for the actor… — Bennett Miller Copy Share Image
The version of 'Moneyball' I pitched - and we made - is about a guy, Billy Beane, who thinks he's trying to win baseball… — Bennett Miller Copy Share Image
Honestly, my smartest business decision was to never do anything that I didn't love doing. — Bennett Miller Copy Share Image
If you talk to anybody, among the first things you'll hear is, 'Steve Carell is the nicest guy in the world.' And he is.… — Bennett Miller Copy Share Image
I think Will Ferrell is probably completely evil, the darkest of them all. He is known among comics as the dark knight. An evil,… — Bennett Miller Copy Share Image
I know what it's like to be genuinely intrigued and compelled by a story and to have a sense that there's an adventure to… — Bennett Miller Copy Share Image
I like to rehearse. We did a lot of rehearsals for 'Moneyball,' but it is really individual to the actor. It's not like, 'Here… — Bennett Miller Copy Share Image
I want to work with performers who really are ready to lose their minds, you know? People who are established and have talent, but… — Bennett Miller Copy Share Image
