I always liked the stress, the real high-stakes, get-the-orders-out line-cook job, as well as the ordering of the produce and everything -… — Brian Reitzell Copy Share Image
I'm not a sports fan, but I remember watching highlights with post-rock guitar instrumental music over these slow-motion shots of football players.… — Brian Reitzell Copy Share Image
My favourite scores, they have very little music. I don't ever want to notice the music coming in. I just want it… — Brian Reitzell Copy Share Image
With 'Hannibal,' it's almost like the music is part of the furniture, so as a character goes from one room to another… — Brian Reitzell Copy Share Image
'Hannibal' is not reality; the whole show is not reality. It's heightened reality: they want music the entire time. — Brian Reitzell Copy Share Image
I think that this television medium, or whatever we call it now, is a really great frontier to turn people onto music… — Brian Reitzell Copy Share Image
I approach horror music differently than anything else. The very first time I watch an episode, I want to be playing an… — Brian Reitzell Copy Share Image
When my parents got divorced, I wanted to spend my time laying in the garage listening to the washer and dryer. Loud,… — Brian Reitzell Copy Share Image
NBC has not once given me a music note. I get the freedom to do what I want, and that's kind of… — Brian Reitzell Copy Share Image
The older I get, the more I think birds are the best musicians on the planet. — Brian Reitzell Copy Share Image
I know this as a musician: When you nail something, and you get so much attention for it, you want to strip… — Brian Reitzell Copy Share Image
The library companies have made it so that music is so cheap to license. They do sound-alikes of every band, and it… — Brian Reitzell Copy Share Image
I always liked the stress, the real high-stakes, get-the-orders-out line-cook job, as well as the ordering of the produce and everything - it's really… — Brian Reitzell Copy Share Image
Indie movies can be a lot more stressful than studio pictures. The stakes are just as high whether you're talking $3 million or $40 million. — Brian Reitzell Copy Share Image
'Lost in Translation' was a year of my life, if not more, and then 'Marie Antoinette' was about three years of my life. — Brian Reitzell Copy Share Image
With 'Hannibal,' it's like reactive scoring so I don't get ahead. I don't read a script; I don't want to know what's going to… — Brian Reitzell Copy Share Image
An orchestra can add some class, a historical vibe, but I believe you can get the same emotion from pottery wheels. — Brian Reitzell Copy Share Image
I've put a lot of records out and a lot of soundtracks, and 'Hannibal' is kind of a special one. — Brian Reitzell Copy Share Image
'Loveless' was a really big record for me. It was what was keeping me alive when I was still touring with Redd Kross. — Brian Reitzell Copy Share Image
I'm not a sports fan, but I remember watching highlights with post-rock guitar instrumental music over these slow-motion shots of football players. It's triumphant,… — Brian Reitzell Copy Share Image
My favourite scores, they have very little music. I don't ever want to notice the music coming in. I just want it to suddenly… — Brian Reitzell Copy Share Image
My dad had a candy-apple red sparkle drag boat with a giant hemi engine in it that he raced professionally. The sound of that… — Brian Reitzell Copy Share Image
