A producer is always behind the scenes, even more in the movies - nobody sees you. I didn't even meet most of the actors. When I worked on 'Top Gun,' I never met Tom Cruise. You were always in the… — Giorgio Moroder Copy Share Image
In film, I was surprised when I first saw the movie 'Drive.' I said, 'Oh, God. It sounds great - I love it. Wow, this could be the soundtrack from 'American Gigolo' or 'Cat People.' But I'm surprised that the… — Giorgio Moroder Copy Share Image
I had an idea for a technologically advanced luxury watch. I got involved in digital art and neon painting and put on shows of… — Giorgio Moroder Copy Share Image
Disco does work better with black artists or players. They just feel it more. — Giorgio Moroder Copy Share Image
One of the most interesting things, at least for me, are the soundtracks for 'The Social Network' and 'Drive.' Basically, it's what I did… — Giorgio Moroder Copy Share Image
My music was typically continental - nothing like, say, The Beatles. — Giorgio Moroder Copy Share Image
In pop or rock you can make a fast song or a slow one, but in disco there is really just the one rhythm. — Giorgio Moroder Copy Share Image
Once you free your mind about a concept of music and harmony being correct, you can do whatever you want. — Giorgio Moroder Copy Share Image
I was in Studio 54 one time; it was great. But I'm not a discotheque guy. Sometimes, if I had a new demo, I… — Giorgio Moroder Copy Share Image
When I'm dead, somebody can write my biography. I wrote a national hymn, an anthem, which I don't want to present to that country.… — Giorgio Moroder Copy Share Image
I wanted to get into art. I did some neon stuff. I worked in, not computer-generated, but computer manipulation of pictures. — Giorgio Moroder Copy Share Image
I think it would be stupid for us to try and tell people who are dancing in a discotheque about the problems of the… — Giorgio Moroder Copy Share Image
