In the early '80s, my sound - especially that mysterious kind of synthesized sound that was used so much - every relatively… — Giorgio Moroder Copy Share Image
I am much more happy doing what I know I can do than what I am not sure I could do. — Giorgio Moroder Copy Share Image
One day. I was putting on a hill in Zurich, and a few hundred yards away, Diana Ross was doing a sound… — Giorgio Moroder Copy Share Image
I had an album out at exactly the same time as 'Love to Love You' called 'Einzelganger,' and it's great, all electronic.… — Giorgio Moroder Copy Share Image
I had an idea for a technologically advanced luxury watch. I got involved in digital art and neon painting and put on shows of… — Giorgio Moroder Copy Share Image
Disco does work better with black artists or players. They just feel it more. — Giorgio Moroder Copy Share Image
One of the most interesting things, at least for me, are the soundtracks for 'The Social Network' and 'Drive.' Basically, it's what I did… — Giorgio Moroder Copy Share Image
My music was typically continental - nothing like, say, The Beatles. — Giorgio Moroder Copy Share Image
In pop or rock you can make a fast song or a slow one, but in disco there is really just the one rhythm. — Giorgio Moroder Copy Share Image
Once you free your mind about a concept of music and harmony being correct, you can do whatever you want. — Giorgio Moroder Copy Share Image
I was in Studio 54 one time; it was great. But I'm not a discotheque guy. Sometimes, if I had a new demo, I… — Giorgio Moroder Copy Share Image
When I'm dead, somebody can write my biography. I wrote a national hymn, an anthem, which I don't want to present to that country.… — Giorgio Moroder Copy Share Image
I wanted to get into art. I did some neon stuff. I worked in, not computer-generated, but computer manipulation of pictures. — Giorgio Moroder Copy Share Image
I think it would be stupid for us to try and tell people who are dancing in a discotheque about the problems of the… — Giorgio Moroder Copy Share Image
