There was something about Marilyn. She couldn't act her way out of a bag, but she became an icon because something happened between her and the lens, and no one knows what it is. — Richard Widmark Copy Share Image
I was never a part of the Actor's Studio, because two friends of mine started it in 1947 and by that time I'd gone… — Richard Widmark Copy Share Image
Other actors like to rehearse on film-they like 30 or 40 takes. When you get an actor like that, it becomes difficult for me… — Richard Widmark Copy Share Image
Cheyenne Autumn was received not too successfully. I still think it was a very good movie. It was kinda Ford's apology for the way… — Richard Widmark Copy Share Image
Many of my friends were blacklisted. America should be ashamed of it forever. — Richard Widmark Copy Share Image
Most movies are made today for teenage boys. Once in a while a good one comes along. — Richard Widmark Copy Share Image
Ford used to come to work in a big car with two Admiral's flags, on each side of the car. His assistant would be… — Richard Widmark Copy Share Image
I was playing this horrible part. I didn't didn't want to play it because the character was an awful racist. But I'm glad I… — Richard Widmark Copy Share Image
Anne Baxter was a very good actress, Donna Reid was great. You couldn't name an actress I wasn't crazy about. — Richard Widmark Copy Share Image
I loved Jack Ford. I got him in his later days, and he was a total tyrant and a total autocrat and an Irish… — Richard Widmark Copy Share Image
A lot of actors said they hated the studio system, but I loved it. It was like a college; it was a great place… — Richard Widmark Copy Share Image
Marilyn was terrible to work with. I was fond of her, she was a nice girl, but she was a damaged girl. She was… — Richard Widmark Copy Share Image
I felt pretty comfortable with Westerns, apart from the fact I couldn't ride. — Richard Widmark Copy Share Image
John Ford was so funny that I couldn't wait to go to work in the morning. — Richard Widmark Copy Share Image
