The Long, Long Trailer (1954) actually happened and the man wrote a book about it. Father of the Bride, same thing; a banker wrote that who had never written anything else. — Vincente Minnelli Copy Share Image
Fortunately, John Houseman is a marvelous writer and he sat in on so many story conferences. He worked with Welles, you know, and he's a marvelous man. — Vincente Minnelli Copy Share Image
But I think musicals are going to have to deal with important subjects. — Vincente Minnelli Copy Share Image
American films are terribly popular all over the world and American movie stars are terribly important. I don't know why. — Vincente Minnelli Copy Share Image
I feel that a picture that stays with you is made up of a hundred or more hidden things. They’re things that the audience… — Vincente Minnelli Copy Share Image
That's what I think musicals will come to. No backstage stories, nothing of that sort. — Vincente Minnelli Copy Share Image
The Pirate is surrealism and so, in a curious way, is Father of the Bride. — Vincente Minnelli Copy Share Image
I had given up the theater and everything propelled me into entertainment. And I didn't resist it. — Vincente Minnelli Copy Share Image
