I was 17 and just learning what high fidelity was, what good sound was, and learning the mechanics of tape machines. It was a real education, going right from the consumer end to the record factory. — Alan Parsons Copy Share Image
I'm delighted about the track's success in the sports world, but the frustrating thing is, I don't think I got rich on it. The… — Alan Parsons Copy Share Image
The Sicilian Defense album was never released and never will be if I have anything to do with it. I have not heard it… — Alan Parsons Copy Share Image
Immediately after the Floyd experience, I became a pop record producer. — Alan Parsons Copy Share Image
The Sicilian Defence was our attempt at quickly fulfilling our contractual obligation after I Robot, Pyramid and Eve had been delivered. The album was… — Alan Parsons Copy Share Image
Audiophiles don't use their equipment to listen to your music. Audiophiles use your music to listen to their equipment. — Alan Parsons Copy Share Image
I try to find a way that the other guy hasn't thought of using a sound or a sample. — Alan Parsons Copy Share Image
I started in a research lab for TV cameras, then I worked at a tape duplication facility. That was the first introduction for me… — Alan Parsons Copy Share Image
Folk rock was my real roots. I did a few gigs as a folk artist, in the style of Fairport Convention. — Alan Parsons Copy Share Image
Any effects created before 1975 were done with either tape or echo chambers or some kind of acoustic treatment. No magic black boxes! — Alan Parsons Copy Share Image
In France, you can sell a lot, but nobody outside of France ever hears of it. — Alan Parsons Copy Share Image
In Russia we had to have special visas in our passports, and when we had to show our passports at the Kremlin gates, we… — Alan Parsons Copy Share Image
I was 17 and just learning what high fidelity was, what good sound was, and learning the mechanics of tape machines. It was a… — Alan Parsons Copy Share Image
