On a daily basis, you're working with Steve Carell; you're not working with Ricky Gervais. You try a line, and you can't be writing for David Brent. You have to be writing for Michael Scott because Steve is Michael Scott. — Greg Daniels Copy Share Image
There are Michael Scott moments, which are character choices, but there are also Steve's reads. Usually the things that I'm the biggest fan of… — Greg Daniels Copy Share Image
It happened to me on 'King of the Hill,' where I'd left it before the end and didn't really participate in the ending, and… — Greg Daniels Copy Share Image
I feel responsible for everybody, and I couldn't imagine a scenario where I wouldn't be directing what was happening, at the end. — Greg Daniels Copy Share Image
I had my idea of what the series finale of 'King of the Hill' would be, but that's not what the actual series finale… — Greg Daniels Copy Share Image
When you think about 'The Simpsons' or 'King of the Hill' or something like that, the worlds tend to expand each episode, because there's… — Greg Daniels Copy Share Image
I would encourage people that, if you are waiting for the end of 'The Office,' to re-tune in right away. It is the beginning… — Greg Daniels Copy Share Image
Whenever the boss has 'fun' activities, there's got to be a parable or a lesson. Employees feel like they're supposed to be taking notes. — Greg Daniels Copy Share Image
When you do something unusual, the audience doesn't 100 percent know what you're up to in the beginning. And if you're doing a character… — Greg Daniels Copy Share Image
On a daily basis, you're working with Steve Carell; you're not working with Ricky Gervais. You try a line, and you can't be writing… — Greg Daniels Copy Share Image
I wrote Steve Carell's last episode. I think it was a really good episode, but there's always a tension between what's good for the… — Greg Daniels Copy Share Image
I'm like a slow starter. Everything I've done has built, or has taken a while. — Greg Daniels Copy Share Image
