The complexity of the language of images is disguised by the ease and rapidity with which we read them. I've tried to make work that is as transparent and simple as possible. No matter how much I strip away the… — Michael Craig-Martin Copy Share Image
I wanted to make new works of very contemporary objects, which I thought was interesting because many of them are manufactured in China, but these objects are universal, they go across all languages, all cultures. — Michael Craig-Martin Copy Share Image
You can't honour someone by copying them or trying to be exactly like them. — Michael Craig-Martin Copy Share Image
There is a complete difference between art and the art market. Prices are high now for the simple reason that there are people are… — Michael Craig-Martin Copy Share Image
I had my exhibition of paintings first in Shanghai, and then recently in Wuhan. Wuhan particularly interested me, because I am 1/8 Chinese. — Michael Craig-Martin Copy Share Image
I try to make images that have the immediate presence we take for granted in objects - a chair, a shoe, a book, a… — Michael Craig-Martin Copy Share Image
You can see in my paintings, I've taken away the context, I've taken away the shadows, I've taken away expression, I've taken away the… — Michael Craig-Martin Copy Share Image
When I told people that I was going to paint the big room magenta, many people thought that I was crazy. — Michael Craig-Martin Copy Share Image
I don't like the idea of nationalism, but on the other hand, I do see that there is a difference between British art, German… — Michael Craig-Martin Copy Share Image
I was poorer than anyone I'd ever met. But it was a great time to be a young artist - I remember it as… — Michael Craig-Martin Copy Share Image
[I] don't want people to see it [paintings] as a specific intention on my part. If somebody has that interest in these objects, of… — Michael Craig-Martin Copy Share Image
I've taken away everything I could think of, and yet what remains is enough. These days many more people come to my work, and… — Michael Craig-Martin Copy Share Image
In the period of '60s to the '90s, British art schools were small, and the number of student was small. The personal contact was… — Michael Craig-Martin Copy Share Image
![“[I] don't want people to see it [paintings] as a specific intention on my part. If somebody has that interest in these objects, of course they can see that, but from my own point of view, I'd rather stay as neutral as possible.” quote by Michael Craig-Martin](https://sms4smile.com/quotes/img-quotes/2c8/michael-craig-martin-9157_courses_i-don-t-want-people-to-see-it-paintings_421873.jpg)
