People like Frank Zappa and Bryan Ferry knew we could pick and choose from the history of music, stick things together looking for friction and energy. They were more like playwrights; they invented characters and wrote a life around them. — Brian Eno Copy Share Image
In the 1960s when the recording studio suddenly really took off as a tool, it was the kids from art school who knew how to use it, not the kids from music school. Music students were all stuck in the… — Brian Eno Copy Share Image
I have lived in countries that were coming out of conflict: Ireland, South Africa, the Czech republic. People there are overflowing with energy. — Brian Eno Copy Share Image
The lyrics are constructed as empirically as the music. I don't set out to say anything very important. — Brian Eno Copy Share Image
The whole history of pop music had rested on the first person singular, with occasional intrusions of the second person singular. — Brian Eno Copy Share Image
Robert Fripp and I will be recording another LP very soon. It should be even more monotonous than the first one! — Brian Eno Copy Share Image
I despise computers in many ways. I think they’re hopelessly underevolved and overrated. — Brian Eno Copy Share Image
I think very often producers are really trying to repeat things. When they hear something in the new songs that they recognize as being… — Brian Eno Copy Share Image
I think that's very significant that we're so attached to the idea now of - it was something I advocated for years, that you… — Brian Eno Copy Share Image
If you watch any good player, they're using different parts of their body and working with instruments that respond to those movements. They're moving… — Brian Eno Copy Share Image
Songs that don't depend on composition depend instead on performance - so the fire has to be there in the playing. — Brian Eno Copy Share Image
I can see the use and value of religion, just as I can see the use of mud wrestling, yoga, astronomy and sadomasochism. but… — Brian Eno Copy Share Image
