I've always made things either paintings, drawing, photographs, or writing. It's all kind of the same thing. It all involves saying more, I guess. It involves separating life, breaking off this chunk that's devoted to making something. There's a lot… — Moyra Davey Copy Share Image
Of course it's a lot easier for me if I think of myself as a character to say certain things; it gives me a… — Moyra Davey Copy Share Image
“Dipping into the archive is always an interesting, if sometimes unsettling, proposition. It often begins with anxiety, with the fear that the thing you want won't surface. But ultimately the process is a little like tapping into the unconscious, and can bring with it the ambivalent gratification of rediscovering forgotten selves. Rather than making new pictures why can't I just… — Moyra Davey Copy Share
I actually like a film in a gallery, because you don't have to show up at a certain time to see something, you can… — Moyra Davey Copy Share Image
I always credit; I never just steal something. I'm very much a product of everything that I've read and seen and heard or listened… — Moyra Davey Copy Share Image
When you hate the thing that you're working on, that's when you question it. — Moyra Davey Copy Share Image
To be making something as yet unformed, unknown - to be living in a deferred moment - is the most seductive way to exist. — Moyra Davey Copy Share Image
I've always made things either paintings, drawing, photographs, or writing. It's all kind of the same thing. It all involves saying more, I guess.… — Moyra Davey Copy Share Image
“I am developing new coping mechanisms for lost words and lost negatives, as here for instance: compensate by describing the episode instead. When something… — Moyra Davey Copy Share Image
Describing some kinds of feelings comes across as too excessive in the first person. If you put it in the third person, you're taking… — Moyra Davey Copy Share Image
