To be making something as yet unformed, unknown - to be living in a deferred moment - is the most seductive way to exist. — Moyra Davey Copy Share Image
Describing some kinds of feelings comes across as too excessive in the first person. If you put it in the third person, you're taking a little bit of a distance, and that way it becomes more apprehensible to a viewer.… — Moyra Davey Copy Share Image
Of course it's a lot easier for me if I think of myself as a character to say certain things; it gives me a… — Moyra Davey Copy Share Image
“Dipping into the archive is always an interesting, if sometimes unsettling, proposition. It often begins with anxiety, with the fear that the thing you… — Moyra Davey Copy Share Image
I actually like a film in a gallery, because you don't have to show up at a certain time to see something, you can… — Moyra Davey Copy Share Image
I always credit; I never just steal something. I'm very much a product of everything that I've read and seen and heard or listened… — Moyra Davey Copy Share Image
When you hate the thing that you're working on, that's when you question it. — Moyra Davey Copy Share Image
To be making something as yet unformed, unknown - to be living in a deferred moment - is the most seductive way to exist. — Moyra Davey Copy Share Image
I've always made things either paintings, drawing, photographs, or writing. It's all kind of the same thing. It all involves saying more, I guess.… — Moyra Davey Copy Share Image
“I am developing new coping mechanisms for lost words and lost negatives, as here for instance: compensate by describing the episode instead. When something… — Moyra Davey Copy Share Image
Describing some kinds of feelings comes across as too excessive in the first person. If you put it in the third person, you're taking… — Moyra Davey Copy Share Image
