It might be David Adjaye talking about how the structure of jazz music informs his architecture, it might be the musician Terry Riley talking about how he thinks so much about cinema. I'd love to see more of a rupture… — Doug Aitken Copy Share Image
What The Source becomes, in a physical sense, is almost like this particle accelerator. There's all these different, discrete voices and ideas. If you… — Doug Aitken Copy Share Image
I really like the idea of banality and repetition being used to generate the image, which are simple and unobstructed and not captivated by… — Doug Aitken Copy Share Image
You see someone like maybe William Eggleston. William doesn't even really talk about what he does; he just wants to make these images. He… — Doug Aitken Copy Share Image
In sound design programs now, you can literally sculpt the sound on visual graphs. Sometimes the visual programs are even more interesting than the… — Doug Aitken Copy Share Image
It might be David Adjaye talking about how the structure of jazz music informs his architecture, it might be the musician Terry Riley talking… — Doug Aitken Copy Share Image
Divisions between culture is not this precious thing, it's just this dirty beehive with things moving around, creating accidents, and violence, and harmony. It's… — Doug Aitken Copy Share Image
I think the idea of embracing the process, creating something, no matter how thin it is, that you can call a starting point -… — Doug Aitken Copy Share Image
When you make work, the concept is the basis for it; all choices of aesthetics or mediums come later. — Doug Aitken Copy Share Image
The compartmentalizing is so severe, that we kind of lose track. When you sit down to dinner with friends, you're going to talk about… — Doug Aitken Copy Share Image
Our culture is just too comfortable in creating these kind of divisions between culture. — Doug Aitken Copy Share Image
I try to just put a blank stage in front of them, and say, "This is your space; you tell me where you're coming… — Doug Aitken Copy Share Image
