I love Death Race, it's one of my favorite films. I thought, "You know what? All that two years worth of work… — Paul W. S. Anderson Copy Share Image
The way it works in commercials is they come to you with the script and then you do the visual, you do… — Paul W. S. Anderson Copy Share Image
It's all based around the idea that basically VW cars are space age. They're the worst cars to use in action movie,… — Paul W. S. Anderson Copy Share Image
For me, it's a multitude of things. In the modern world, there's a real genuine fear of loss of individuality and I… — Paul W. S. Anderson Copy Share Image
I'm a very collaborative person, so that's not the way I work any way. Once VW got over the idea that I… — Paul W. S. Anderson Copy Share Image
The idea of doing a period movie, some people say, "Isn't it odd that you're doing a period movie? That's a change… — Paul W. S. Anderson Copy Share Image
'Pompeii' will be PG-13. I think it has to have a level of violence and death in it because you've got a volcano exploding.… — Paul W. S. Anderson Copy Share Image
One of the things that struck me when I was a kid and I was learning about Pompeii was these figures that were frozen… — Paul W. S. Anderson Copy Share Image
You are only as good as the movie you make. I really believe that. — Paul W. S. Anderson Copy Share Image
There was a lot of pressure on me as a filmmaker to raise the bar and do better than before so, you know, I… — Paul W. S. Anderson Copy Share Image
When you watch movies in Britain, the reaction when people hate a movie is... they just politely get up and leave at the end.… — Paul W. S. Anderson Copy Share Image
I can't remember who said, 'No film is completed, just abandoned,' but I think most filmmakers will tell you that they could endlessly fiddle… — Paul W. S. Anderson Copy Share Image
I've always tried to do camera moves that I felt were immersive. So I think, as a filmmaker, my style of filmmaking is very… — Paul W. S. Anderson Copy Share Image
You can film the most exciting car chase and the most exciting stunts, but if you don't care about the person inside the car,… — Paul W. S. Anderson Copy Share Image
I think 'Lost' didn't invent the flashback, obviously. It's been a cinematic tool. It's been around almost as long as cinema has. — Paul W. S. Anderson Copy Share Image
These commercials, I directed them all from inside the tracking vehicle, so I was traveling about 85mph most of the time, so there wasn't… — Paul W. S. Anderson Copy Share Image
