When you're writing it's a very solitary job. It's you and your word processor and a cup of tea. It's nice- that… — Paul W. S. Anderson Copy Share Image
I love Death Race, it's one of my favorite films. I thought, "You know what? All that two years worth of work… — Paul W. S. Anderson Copy Share Image
The way it works in commercials is they come to you with the script and then you do the visual, you do… — Paul W. S. Anderson Copy Share Image
True 3D is, you have to kind of originate the images in three dimensions. — Paul W. S. Anderson Copy Share Image
I think, quite often, filmmakers kind of think so much about what the franchise will be and sometimes can neglect to put… — Paul W. S. Anderson Copy Share Image
Honestly, I don't think anyone confuses me with Wes Anderson. He's in his own terrific universe, but not the kind anyone would… — Paul W. S. Anderson Copy Share Image
Growing up, I wanted to make the kind of movies that would play in a multiplex, and those were the kinds of… — Paul W. S. Anderson Copy Share Image
The first job I did was Volkswagen, we shot it in Long Beach, and it was like they won multiple awards with… — Paul W. S. Anderson Copy Share Image
You really feel like you're on the cutting edge and you know you are because all the camera equipment you take for… — Paul W. S. Anderson Copy Share Image
I was excited about the fourth movie I guess conceptually because, what I felt we should do it, we should try to… — Paul W. S. Anderson Copy Share Image
Movies are not an art form where you get to kind of sit in your art gallery and paint, you know? You… — Paul W. S. Anderson Copy Share Image
Commercials are also any opportunity to meet new crew and work with new kind of rigs. You can explore working with different… — Paul W. S. Anderson Copy Share Image
I had the opportunity to work with Aliens and Predators when Resident Evil 2 was being made and it was for two… — Paul W. S. Anderson Copy Share Image
People see my films, and they cheer and they clap, and they are the kind of movies I like to see myself. — Paul W. S. Anderson Copy Share Image
I really believe, especially with 3D, you kind of have to approach it as this holistic thing. You have to kind of… — Paul W. S. Anderson Copy Share Image
'Pompeii' will be PG-13. I think it has to have a level of violence and death in it because you've got a volcano exploding.… — Paul W. S. Anderson Copy Share Image
One of the things that struck me when I was a kid and I was learning about Pompeii was these figures that were frozen… — Paul W. S. Anderson Copy Share Image
You are only as good as the movie you make. I really believe that. — Paul W. S. Anderson Copy Share Image
There was a lot of pressure on me as a filmmaker to raise the bar and do better than before so, you know, I… — Paul W. S. Anderson Copy Share Image
When you watch movies in Britain, the reaction when people hate a movie is... they just politely get up and leave at the end.… — Paul W. S. Anderson Copy Share Image
I can't remember who said, 'No film is completed, just abandoned,' but I think most filmmakers will tell you that they could endlessly fiddle… — Paul W. S. Anderson Copy Share Image
I've always tried to do camera moves that I felt were immersive. So I think, as a filmmaker, my style of filmmaking is very… — Paul W. S. Anderson Copy Share Image
You can film the most exciting car chase and the most exciting stunts, but if you don't care about the person inside the car,… — Paul W. S. Anderson Copy Share Image
I think 'Lost' didn't invent the flashback, obviously. It's been a cinematic tool. It's been around almost as long as cinema has. — Paul W. S. Anderson Copy Share Image
These commercials, I directed them all from inside the tracking vehicle, so I was traveling about 85mph most of the time, so there wasn't… — Paul W. S. Anderson Copy Share Image
