Gargoyles were the complement to saints; Leonardo's caricatures were complementary to his untiring search for ideal beauty. And gargoyles were the expression of all the passions, the animal forces, the Caliban gruntings and groanings which are left in human nature… — Kenneth Clark Copy Share Image
To hurry through the rise and fall of a fine, full sentence is like defying the role of time in human life. — Kenneth Clark Copy Share Image
The nude does not simply represent the body, but relates it, by analogy, to all structures that have become part of our imaginative experience. — Kenneth Clark Copy Share Image
Ruthless, greedy, tyrannical, disreputable they have had one principle worth all the rest, the principle of delight! — Kenneth Clark Copy Share Image
Those who wish, in the interest of morality, to reduce Leonardo, that inexhaustible source of creative power, to a neutral or sexless agency, have… — Kenneth Clark Copy Share Image
It is often said that Leonardo drew so well because he knew about things; it is truer to say that he knew about things… — Kenneth Clark Copy Share Image
A lot of people you think you know you don't know until you find out you don't know then it may be too late… — Kenneth Clark Copy Share Image
The dark ghettos are social, political, educational and-above all-economic colonies. Their inhabitants are subject peoples, victims of the greed, cruelty, insensitivity, guilt, and fear… — Kenneth Clark Copy Share Image
Devotion to the facts will always give the pleasures of recognition; adherence to the rules of design, the pleasures of order and certainty. — Kenneth Clark Copy Share Image
Over and above the political, economic, sociological, and international implications of racial prejudices, their major significance is that they place unnecessary burdens upon human… — Kenneth Clark Copy Share Image
Racial prejudices are indication of a disturbed and potentially unstable society. — Kenneth Clark Copy Share Image
Fine colour implies a unified relationship, in which each part is subordinate to the whole, and the transitions between them are felt to be… — Kenneth Clark Copy Share Image
