Energy is eternal delight; and from the earliest times human beings have tried to imprison it in some durable hieroglyphic. It is… — Kenneth Clark Copy Share Image
Antique art has come down to us in a fragmentary condition, and we have virtuously adapted our taste to this necessity. Almost… — Kenneth Clark Copy Share Image
The history of art cannot be properly understood without some reference to the history of science. In both we are studying the… — Kenneth Clark Copy Share Image
Ingres was one of those artists to whom the outline was something sacred and magical, and the reason is that it was… — Kenneth Clark Copy Share Image
Only the bad artists of the nineteenth century were frightened by the invention of photography; the good ones all welcomed it and… — Kenneth Clark Copy Share Image
Only the bad artists of the nineteenth century were frightened by the invention of photography; the good ones all welcomed it and… — Kenneth Clark Copy Share Image
The illustrator is essentially a reporter: his subjects come from the outside, lit by a flash. A subject comes to the classical… — Kenneth Clark Copy Share Image
The various parts of the body cannot be perceived as simple units and have no clear relationship to one another. In almost… — Kenneth Clark Copy Share Image
Art...must do something more than give pleasure: it should relate to our own life so as to increase our energy of spirit. — Kenneth Clark Copy Share Image
Great works of art can be produced in barbarous societies - in fact the very narrowness of primitive society gives their ornamental… — Kenneth Clark Copy Share Image
Our universe cannot even be stated symbolically. And this touches us all more directly than one might suppose. For example, artists, who… — Kenneth Clark Copy Share Image
Leonardo is the Hamlet of art history whom each of us must recreate for himself. — Kenneth Clark Copy Share Image
No nude, however abstract, should fail to arouse in the spectator some vestige of erotic feeling... The desire to grasp and be… — Kenneth Clark Copy Share Image
Ruskin's much-derided moral theory of art was part of an attempt to show that this human activity, which we value so highly,… — Kenneth Clark Copy Share Image
We can hardly imagine a state of mind in which all material objects were regarded as symbols of spirtual truths or episodes… — Kenneth Clark Copy Share Image
No nude, however abstract, should fail to arouse in the spectator some vestige of erotic feeling, even if it be only the… — Kenneth Clark Copy Share Image
To hurry through the rise and fall of a fine, full sentence is like defying the role of time in human life. — Kenneth Clark Copy Share Image
The nude does not simply represent the body, but relates it, by analogy, to all structures that have become part of our imaginative experience. — Kenneth Clark Copy Share Image
Ruthless, greedy, tyrannical, disreputable they have had one principle worth all the rest, the principle of delight! — Kenneth Clark Copy Share Image
Those who wish, in the interest of morality, to reduce Leonardo, that inexhaustible source of creative power, to a neutral or sexless agency, have… — Kenneth Clark Copy Share Image
It is often said that Leonardo drew so well because he knew about things; it is truer to say that he knew about things… — Kenneth Clark Copy Share Image
A lot of people you think you know you don't know until you find out you don't know then it may be too late… — Kenneth Clark Copy Share Image
The dark ghettos are social, political, educational and-above all-economic colonies. Their inhabitants are subject peoples, victims of the greed, cruelty, insensitivity, guilt, and fear… — Kenneth Clark Copy Share Image
Devotion to the facts will always give the pleasures of recognition; adherence to the rules of design, the pleasures of order and certainty. — Kenneth Clark Copy Share Image
Over and above the political, economic, sociological, and international implications of racial prejudices, their major significance is that they place unnecessary burdens upon human… — Kenneth Clark Copy Share Image
Racial prejudices are indication of a disturbed and potentially unstable society. — Kenneth Clark Copy Share Image
Fine colour implies a unified relationship, in which each part is subordinate to the whole, and the transitions between them are felt to be… — Kenneth Clark Copy Share Image
