It is impossible to think of Howard Hughes without seeing the apparently bottomless gulf between what we say we want and what we do want, between what we officially admire and secretly desire, between, in the largest sense, the people… — Joan Didion Copy Share Image
“Why do we like these stories so? Why do we tell them over and over? Why have we made a folk hero of a man who is the antithesis of all our official heroes, a haunted millionaire out of the… — Joan Didion Copy Share Image
To shift the structure of a sentence alters the meaning of that sentence, as definitely and inflexibly as the position of a camera alters… — Joan Didion Copy Share Image
I work every day. Sometimes I don't accomplish anything every day, but if I don't work every day, I get depressed and get afraid… — Joan Didion Copy Share Image
California is a place in which a boom mentality and a sense of Chekhovian loss meet in uneasy suspension. — Joan Didion Copy Share Image
“Why did I write it down? In order to remember, of course, but exactly what was it I wanted to remember? How much of… — Joan Didion Copy Share Image
I no longer want reminders of what was, what got broken, what got lost, what got wasted. — Joan Didion Copy Share Image
My mother 'gave teas' the way other mothers breathed. Her own mother 'gave teas.' All of their friends 'gave teas,' each involving butter cookies… — Joan Didion Copy Share Image
I'm not very interested in people. I recognize it in myself - there is a basic indifference toward people. — Joan Didion Copy Share Image
“Was there ever in anyone's life span a point free in time, devoid of memory, a point when choice was any more than sum… — Joan Didion Copy Share Image
“Research to date has shown that, like many other stressors, grief frequently leads to changes in the endocrine, immune, autonomic nervous, and cardiovascular systems;… — Joan Didion Copy Share Image
“By the end of the week she was thinking constantly about where her body stopped and the air began about the exact point in… — Joan Didion Copy Share Image
