'Sin Nombre' was almost like the adolescent version of 'Jane Eyre.' 'Jane Eyre' sort of picks up where 'Sin Nombre' ends. It's about this girl who starts off on her own at her lowest point of despair, and she figures… — Cary Fukunaga Copy Share Image
I don't storyboard, and I don't really shot list. I let the shots be determined by how the actors and I figure out the blocking in a scene, and then from there, we cover it. — Cary Fukunaga Copy Share Image
The only pressure is the pressure I put on myself, that's up to be I guess to mitigate that. I think there's always pressure… — Cary Fukunaga Copy Share Image
One of the great things about working with Focus is that you're never forced, especially with a film with low budget. The pressure is… — Cary Fukunaga Copy Share Image
When I see an image in my head that compels me, where there's this mystery about what's going to happen next or could happen… — Cary Fukunaga Copy Share Image
I wrote my first script, which was 50 pages, at age 15. It was about two brothers in love with the same nurse while… — Cary Fukunaga Copy Share Image
I think the only reason people use PCs is because they have to. Mac is the most streamlined computer there is. I started using… — Cary Fukunaga Copy Share Image
If you think of most murders as being between people who know each other, it's very easy to figure out who the killer is.… — Cary Fukunaga Copy Share Image
I've written immense love letters that are supposed to be opened over days at a time. — Cary Fukunaga Copy Share Image
I started writing stories when I was 9 or 10. I wrote my first screenplay-type document when I was 14. — Cary Fukunaga Copy Share Image
It's nice to represent to other people in the world that Americans actually do know what's happening in the world, can speak other languages… — Cary Fukunaga Copy Share Image
