“But I keep on going with this sad and hungry and sordid, this limping and mutilated story, because after all I want you to hear it, as I will hear yours too if I ever get the chance, if I meet you or if you escape, in the future or in heaven or in prison or underground, some other place.… — Margaret Atwood Copy Share
“Now we come to forgiveness. Don't worry about forgiving me right now. There are more important things. For instance: keep the others… — Margaret Atwood Copy Share Image
“In Heaven, there are no debts - all have been paid, one way or another - but in Hell there's nothing but… — Margaret Atwood Copy Share Image
“You might even provide a Heaven for them. We need You for that. Hell we can make for ourselves.” — Margaret Atwood Copy Share Image
The interesting thing about the religious component, for me, is that Jesus hardly mentions sex at all. He's pretty interested in the… — Margaret Atwood Copy Share Image
“I'm fine," said Pilar, "for the moment. And the moment is the only time we can be fine in.” — Margaret Atwood Copy Share Image
And yet it disturbs me to learn I have hurt someone unintentionally. I want all my hurts to be intentional. — Margaret Atwood Copy Share Image
“Mary: Some call this "Eve's curse," but I think that is stupid because the real curse of Eve was having to put up with… — Margaret Atwood Copy Share Image
“The birds were singing around me, but I reflected that the very birds were strangers to me, for I did not even know their… — Margaret Atwood Copy Share Image
“Strange how we decorate pain. These ribbons, for instance, and the small hard teardrops of blood. Who are they for? Do we think the… — margaret atwood Copy Share Image
I wanted to forget the past, but it refused to forget me; it waited for sleep, then cornered me. — Margaret Atwood Copy Share Image
“Back at home they drew the curtains and read, with disapproval, with relish, with avidity and glee - even the ones who'd never thought… — Margaret Atwood Copy Share Image
All fiction is about people, unless it's about rabbits pretending to be people. It's all essentially characters in action, which means characters moving through… — Margaret Atwood Copy Share Image
“Simon walks back to the house alone. The night is clear and warm, with a moon, almost full, enclosed in a nimbus of mist;… — Margaret Atwood Copy Share Image
“There is indeed something delightful about being able to combine obedience and disobedience in the same act.” — Margaret Atwood Copy Share Image
“Every time the women appear, Snowman is astonished all over again. They're every known colour from the deepest black to whitest white, they're various heights, but each one of them is admirably proportioned. Each is sound of tooth, smooth of skin. No ripples of fat around their waists, no bulges, no dimpled orange-skin cellulite on their thighs. No body hair,… — Margaret Atwood Copy Share
