There came a point in time when Michael was under a great deal of pressure to alter the film in a way that was just disturbing to him. I had not seen the movie, yet. He phoned me in July… — Madeleine Stowe Copy Share Image
Michael was very specific during rehearsals. When he was pleased, he always had this charming grin. — Madeleine Stowe Copy Share Image
I love the life of an actor because you spend brief amounts of time with other people and then you just leave. I need… — Madeleine Stowe Copy Share Image
As we were leaving the Huron camp, it was awkward filming. I think that the Huron watching us was there to create tension -… — Madeleine Stowe Copy Share Image
There were mornings in the make-up trailer where I'd have fits of laughter because of the extraordinary daily events of the shoot. Sometimes, it… — Madeleine Stowe Copy Share Image
There came a point in time when Michael was under a great deal of pressure to alter the film in a way that was… — Madeleine Stowe Copy Share Image
He also didn't like a lock of my hair and said that he couldn't get into the moment without the hair being just right.… — Madeleine Stowe Copy Share Image
Saving Milly was a break from this effort because I felt that it was time to be part of something that could shed light… — Madeleine Stowe Copy Share Image
The Kiss scene was attempted three times. The first was in a peculiar spot of the fort on the ground level. It felt forced… — Madeleine Stowe Copy Share Image
It was treacherous. I think someone was injured. But I did love being there, we all did. — Madeleine Stowe Copy Share Image
I phoned Joe Roth, who was head of the studio at the time, and told him how beautiful the film was, and that I… — Madeleine Stowe Copy Share Image
Michael would take us on location and see how the colors worked in the forests and fields. — Madeleine Stowe Copy Share Image
I've never returned to the locations. I do remember certain days more clearly than others and certain locations with a sense of nostalgia. Perhaps… — Madeleine Stowe Copy Share Image
