I tend to work in layers. There's a huge orchestra in the film, but I also record a lot things with very… — Steven Price Copy Share Image
With the great people that you work with, it's that they're never giving up and they're never thinking something's finished until they've really, really… — Steven Price Copy Share Image
With a lot of action scores, you're competing with a lot of noise. Say there's a big explosion: the music would conventionally have a… — Steven Price Copy Share Image
A lot of composers I know hate temp scores because people get attached to them. — Steven Price Copy Share Image
I think after everything in the whole process of filmmaking, temp scores are great if you use them for what they're good for, if… — Steven Price Copy Share Image
No one's being precious about their music. They want the film to be great. And that was the huge lesson for me along the… — Steven Price Copy Share Image
My house was full of music. My main memories are of the record player at home: it was all Beatles and Rolling Stones, and… — Steven Price Copy Share Image
It's a funny thing with the inspiration thing. There's always loads of music around that I absolutely love and films going back to when… — Steven Price Copy Share Image
I worry about technical details - did I mix the cello half a decibel too high? Things like that. — Steven Price Copy Share Image
Every one of us has a response of some kind to music, so I don't think it's fair to ever judge what is proper… — Steven Price Copy Share Image
I studied music all the way through college, but as soon as I graduated from university, I got straight into London and got straight… — Steven Price Copy Share Image
I've been able to have broad kind of education and all sorts of different music and a lot of kind of films and also… — Steven Price Copy Share Image
The realisation that, depending on where we changed from one note to the next in a melodic line, the music could subtly influence the… — Steven Price Copy Share Image
