A lot of the music editing job is communication and working out what a director really wants the music to be. — Steven Price Copy Share Image
Every one of us has a response of some kind to music, so I don't think it's fair to ever judge what… — Steven Price Copy Share Image
With a lot of action scores, you're competing with a lot of noise. Say there's a big explosion: the music would conventionally… — Steven Price Copy Share Image
I like taking my leads from what I see rather than trying to impose. I like that way of looking at things… — Steven Price Copy Share Image
The great composers I worked with along the way, I always felt they were filmmakers more than composers. They would talk about… — Steven Price Copy Share Image
The realisation that, depending on where we changed from one note to the next in a melodic line, the music could subtly… — Steven Price Copy Share Image
My house was full of music. My main memories are of the record player at home: it was all Beatles and Rolling… — Steven Price Copy Share Image
It's a funny thing with the inspiration thing. There's always loads of music around that I absolutely love and films going back… — Steven Price Copy Share Image
I'm not very good at sounding like other people. When you're going through your 20's and trying to get a break and… — Steven Price Copy Share Image
No one's being precious about their music. They want the film to be great. And that was the huge lesson for me… — Steven Price Copy Share Image
I've been able to have broad kind of education and all sorts of different music and a lot of kind of films… — Steven Price Copy Share Image
I studied music all the way through college, but as soon as I graduated from university, I got straight into London and… — Steven Price Copy Share Image
For me, anything can be music! I can get huge enjoyment and be moved totally by the purity and perfection of some… — Steven Price Copy Share Image
I find that I love so much stuff and respect so many people who work in this industry and music in general.… — Steven Price Copy Share Image
With the great people that you work with, it's that they're never giving up and they're never thinking something's finished until they've really, really… — Steven Price Copy Share Image
With a lot of action scores, you're competing with a lot of noise. Say there's a big explosion: the music would conventionally have a… — Steven Price Copy Share Image
A lot of composers I know hate temp scores because people get attached to them. — Steven Price Copy Share Image
I think after everything in the whole process of filmmaking, temp scores are great if you use them for what they're good for, if… — Steven Price Copy Share Image
No one's being precious about their music. They want the film to be great. And that was the huge lesson for me along the… — Steven Price Copy Share Image
My house was full of music. My main memories are of the record player at home: it was all Beatles and Rolling Stones, and… — Steven Price Copy Share Image
It's a funny thing with the inspiration thing. There's always loads of music around that I absolutely love and films going back to when… — Steven Price Copy Share Image
I worry about technical details - did I mix the cello half a decibel too high? Things like that. — Steven Price Copy Share Image
Every one of us has a response of some kind to music, so I don't think it's fair to ever judge what is proper… — Steven Price Copy Share Image
I studied music all the way through college, but as soon as I graduated from university, I got straight into London and got straight… — Steven Price Copy Share Image
I've been able to have broad kind of education and all sorts of different music and a lot of kind of films and also… — Steven Price Copy Share Image
The realisation that, depending on where we changed from one note to the next in a melodic line, the music could subtly influence the… — Steven Price Copy Share Image
