There are times when you work with directors on set, and things are a bit rudderless, and those can be good directors. — Grant Heslov Copy Share Image
A film like 'Good Night And Good Luck,' you make that for $7 million because you know it's a black-and-white film, and… — Grant Heslov Copy Share Image
When you look at a film like 'The Ides of March' or 'Good Night, and Good Luck' even, those are really contained… — Grant Heslov Copy Share Image
Creatively, it's great, because when you write your own movies, you get to create whatever you want. — Grant Heslov Copy Share Image
You work with great directors and terrible directors, and so you learn; you take what you think will work for you. — Grant Heslov Copy Share Image
You have to make films you feel strongly about. And then hope you can find the audience. — Grant Heslov Copy Share Image
A lot of the art that was destroyed was painted and created by Jews. A lot of that is gone because that was degenerative… — Grant Heslov Copy Share Image
Look, a lot of directors were actors, even if they were unsuccessful actors which I think is helpful. I think it's a really helpful… — Grant Heslov Copy Share Image
There are times when you work with directors on set, and things are a bit rudderless, and those can be good directors. — Grant Heslov Copy Share Image
I find writing really difficult - definitely the most difficult of all the things I do. — Grant Heslov Copy Share Image
When I write, I make decent money doing it, but I don't wake up dreaming about writing. — Grant Heslov Copy Share Image
I acted for so many years and sat on a million sets and worked with a million different directors so that is to me… — Grant Heslov Copy Share Image
