I like to stay in the space of creativity, and I want to go towards that all the time. — Flying Lotus Copy Share Image
Before saying, 'This track is so dope; it's gonna go on the album,' I like to take some time away from it… — Flying Lotus Copy Share Image
I go through phases where I'm not into jazz as much, and then I'll get heavy, heavy, heavy into it. — Flying Lotus Copy Share Image
I never leave L.A. for too long. I'm not one of those that go on a tour of the whole world. I… — Flying Lotus Copy Share Image
I found so many reasons to call it 'You're Dead!' - not just because I wanted to make this album about the… — Flying Lotus Copy Share Image
Part of what I like to do with Brainfeeder is to get the younger kids hearing jazz, because they don't know where… — Flying Lotus Copy Share Image
I decided to play the saxophone because it was the most obvious instrument in my family. There were a lot of saxophone players in… — Flying Lotus Copy Share Image
If I have to be 'the experimental guy' or whatever, then I'll roll with it. — Flying Lotus Copy Share Image
It's tough when you're an artist because you get to go around the world and make a lot of friends, but guess what? One… — Flying Lotus Copy Share Image
The Soft Machine's 'Volume Two' inspired me heavily. That record just feels like it was all done in the same breath. It's genius, and… — Flying Lotus Copy Share Image
I don't sit around listening to beats all day. There's so many producers, and so much of it is derivative. — Flying Lotus Copy Share Image
The producer role attracts introverts. Making music on your computer is so appealing to someone who just sits in their room all day. — Flying Lotus Copy Share Image
With every album that I do, I try to feature a new instrument or sound. — Flying Lotus Copy Share Image
I definitely learned to communicate with other musicians better. I used to feel so intimidated by guys who can read notes, like, "Oh my… — Flying Lotus Copy Share Image
