I'm always seeing stuff and imagining scenes in my head when I'm making music. — Flying Lotus Copy Share Image
I took to the synthesizer. My cousin had some synthesizers, and I'd always make stuff on those things. — Flying Lotus Copy Share Image
I was 10 years old when the Northridge quake happened, and I lived right in the area, so it was a traumatic… — Flying Lotus Copy Share Image
I'm not the kind of person who's always out at the club if I don't have to be. I like chilling. I… — Flying Lotus Copy Share Image
It's the old-school jazz mentality that I connect with the most. I dig the idea of the seeker, the guy who's always… — Flying Lotus Copy Share Image
I decided to play the saxophone because it was the most obvious instrument in my family. There were a lot of saxophone players in… — Flying Lotus Copy Share Image
If I have to be 'the experimental guy' or whatever, then I'll roll with it. — Flying Lotus Copy Share Image
It's tough when you're an artist because you get to go around the world and make a lot of friends, but guess what? One… — Flying Lotus Copy Share Image
The Soft Machine's 'Volume Two' inspired me heavily. That record just feels like it was all done in the same breath. It's genius, and… — Flying Lotus Copy Share Image
I don't sit around listening to beats all day. There's so many producers, and so much of it is derivative. — Flying Lotus Copy Share Image
The producer role attracts introverts. Making music on your computer is so appealing to someone who just sits in their room all day. — Flying Lotus Copy Share Image
With every album that I do, I try to feature a new instrument or sound. — Flying Lotus Copy Share Image
I definitely learned to communicate with other musicians better. I used to feel so intimidated by guys who can read notes, like, "Oh my… — Flying Lotus Copy Share Image
