I took up 'Waqt' and 'Gandhi My Father' because they were very too special to be missed. — Shefali Shah Copy Share Image
I have played quite a few roles almost double my age. I don't regret those decisions and feel proud to have been… — Shefali Shah Copy Share Image
Filmmaking involves a lot of passion, hard work, thought process and money. But 'Gandhi My Father' is a selfless film, a film… — Shefali Shah Copy Share Image
Any artiste would die to be a part of a film like 'Gandhi My Father.' Director Feroz Abbas Khan had a very… — Shefali Shah Copy Share Image
Doing 'Kucch Luv Jaisaa' was like a debut. There were never any apprehensions. — Shefali Shah Copy Share Image
On OTT, it's not about her or heroine, every single character is powerful and a hero, heroine in their own space. — Shefali Shah Copy Share Image
As actors when we have to emote, we internalise things, find moments that hurt us and portray them. — Shefali Shah Copy Share Image
Immediately after 'Dil Dhadakne Do' in which I played a mother, I made the choice of not doing films which put me in the… — Shefali Shah Copy Share Image
I refer to myself as an actor. I mean, why is there an 'actor' and an 'actress' when there is no 'doctor' and 'doctoress'… — Shefali Shah Copy Share Image
I don't pick up a project based on its success ratio. If it instinctively hooks me, then it hooks me. — Shefali Shah Copy Share Image
There were years where I kept saying no to work because it was just being so unfair. And then 'Juice' happened. And then there… — Shefali Shah Copy Share Image
I am a full time mother and a housewife. I don't think I need anything else to do. — Shefali Shah Copy Share Image
I've neglected my own vanity. Not that I regret it, but looking good is part of my job. — Shefali Shah Copy Share Image
Things are fair and unfair, whichever profession you take. Every profession cannot have a 100% rate of fairness. — Shefali Shah Copy Share Image
A woman's physical body language and intelligence change as her age progresses. — Shefali Shah Copy Share Image
