As the director, you're meant to be critical and you are, so there are loads of things. But the thing is, the way I look at it is, to try to get some measure of success, it's dangerous to look… — David Slade Copy Share Image
As a director, you have to go in with a really, really, really clear picture of what you want. That's the point of my commentaries. It's so difficult because you're the harshest critic. — David Slade Copy Share Image
Being able to communicate what your vision is clearly and with specificity is the most important thing a director can do. — David Slade Copy Share Image
Certainly there is a lot of collaboration, but there is also a lot of clarity that has to be had in the vision that… — David Slade Copy Share Image
I feel like I'm in a weird state, and I wake up in Hollywood, and I've got a couple of studio movies underneath my… — David Slade Copy Share Image
When you are doing music videos through the '90s, which I did, and the 2000s, you were put in the position, really, as an… — David Slade Copy Share Image
'Twilight' was a cult film, and the books were huge, but after 'New Moon,' it really blew up. — David Slade Copy Share Image
When I got the script for 'Eclipse,' I thought it was a damn good story. — David Slade Copy Share Image
With 'Cold Skin,' I believe we can create a lasting psycho-physiological horror film. It is one of the most atmospheric, terrifying, cinematic, and original… — David Slade Copy Share Image
I think filmmaking is largely about preparation and taste and luck. If you have all of those three things, I think you will find… — David Slade Copy Share Image
Francis Lawrence is an astonishing filmmaker, an incredibly gifted visual filmmaker. I have great respect for his work. — David Slade Copy Share Image
I believe that filmmaking is a brilliant thing to do - be doing - for a living. — David Slade Copy Share Image
