I'd say the film to avoid is a director's second film, particularly if his first film was a big success. The second… — John Hurt Copy Share Image
I thought ['Sailcloth'] was a terrific script. Elfar Adalsteins, the director, is bound to be a director we'll hear from, and the… — John Hurt Copy Share Image
A very, very impressive director, Tomas Alfredson. It's only his second film [ 'Tinker Tailor Soldier Spy'], but he's a real find. — John Hurt Copy Share Image
[Bong Joon-ho'] is quite different but technically, he is as clever as [Alfred] Hitchcock. That's saying something. In humanitarian terms, I think… — John Hurt Copy Share Image
When you're really working well with a director then you can be as outrageous as you like and so can he. And… — John Hurt Copy Share Image
The things that I've enjoyed most are not really science fiction. They are not much fun to make because there are so… — John Hurt Copy Share Image
The director [Elfar Adalsteins] came to me through my agent and I had a read of the script [of the "Sailcloth]. I… — John Hurt Copy Share Image
Very, very broadly speaking, you can put directors into two areas: One for whom you work, and the other with whom you… — John Hurt Copy Share Image
Some directors involve waiting, and if you want to work with that particular director you're going to have to hang around. — John Hurt Copy Share Image
From John Huston to Fred Zinnemann and Richard Fleischer and all those great American directors. — John Hurt Copy Share Image
The first film is everything you want to say and how you want to say it. Lots of directors will do that… — John Hurt Copy Share Image
I've done lots of films with first directors, so it's not unusual for me. — John Hurt Copy Share Image
[Alfred] Hitchcock was very interested in the image on the screen.As is any good cinema director. That is the language they speak.… — John Hurt Copy Share Image
Very broadly speaking, you can put directors into two areas: One for whom you work, and the other with whom you work.… — John Hurt Copy Share Image
Elephant Man [movie] was much more difficult physically. This had a couple of days. It was quite tricky. I had my leg… — John Hurt Copy Share Image
I can't say that I wouldn't prefer to make small films, basically because I think they are probably more interesting in terms of the… — John Hurt Copy Share Image
Acting is an imaginative leap, really, isn't it? And imaginations prosper in different circumstances. And it's being able - I can't tell you how… — John Hurt Copy Share Image
My surname certainly suggests a man whose destiny has always been injury. — John Hurt Copy Share Image
I got used to [ Lars Von Trier] doing the narration for 'Dogville' and 'Manderley.' And I said to him I do these narrations… — John Hurt Copy Share Image
The first thing you have to get used to in any kind of acting is the ability to make a fool of yourself. If… — John Hurt Copy Share Image
One wonders sometimes, looking at the world, how it's dealing with itself. There are days when you wake up and you feel very optimistic… — John Hurt Copy Share Image
To me, nothing ever feels like a sure thing. I cling to that because it's very important you don't ever think anything is a… — John Hurt Copy Share Image
Things come in a quieter way to me. It's not laziness, and it's not diffidence. I just know how far you have to bend… — John Hurt Copy Share Image
I've spent a great deal of my life doing independent film, and that is partly because the subject matter interests me and partly because… — John Hurt Copy Share Image
I find myself more interested in producing. Not because I'm interested in the financial side of it, but just getting together the right elements… — John Hurt Copy Share Image
Actors are not always the best judges. We have a peculiar idea of what we think we are, and sometimes it's best left to… — John Hurt Copy Share Image
My parents felt that acting was far too insecure. Don't ask me what made them think that painting would be more secure. — John Hurt Copy Share Image