We've been working for four years on a musical called 'Annette' and we met the French director Leos Carax at the Cannes Film Festival and he loved it and wanted to direct it and it has escalated and has Adam… — Russell Mael Copy Share Image
Leos focused on 'Annette' for eight years. He's not the type of director who'll have 10 films in development at any one time. He had this one film going for the entire eight years. We knew his focus was on… — Russell Mael Copy Share Image
Occasionally and all-too-infrequently a song comes along that jolts you and you prick up your ears. — Russell Mael Copy Share Image
The unfortunate thing with COVID is that Ron's been working separately from me, but it hasn't stopped the flow of things. — Russell Mael Copy Share Image
I sing and Ron doesn't want to be the singer of the band, he's the keyboard player and predominant writer of the band. There's… — Russell Mael Copy Share Image
We loved the Beach Boys, bands like that, but our originality came out of our lack of ability as copiers. They did mostly complicated,… — Russell Mael Copy Share Image
A lot of people build up a backlog of songs and you can kind of go, 'Let's explore that song we did six years… — Russell Mael Copy Share Image
I like when somebody is able to create their own universe, have a consistency to it and not break from character - that's something… — Russell Mael Copy Share Image
There are still some people - it's hard to believe - that aren't aware yet of Sparks. So we still kind of go at… — Russell Mael Copy Share Image
There was nothing radically different about what we were doing musically or image-wise, and yet in L.A. there'd been total indifference, so to come… — Russell Mael Copy Share Image
Having an image was really important to us and that was kind of contrary to the bands in L.A. that we had grown up… — Russell Mael Copy Share Image
As long as it elicits some kind of thought on the listener's part, that's good. If no one's paying attention to the lyrics it's… — Russell Mael Copy Share Image
