The agendas on the management side of the table now are not in sync like they used to be because you have vastly different entities supplying programming to networks. — Dick Wolf Copy Share Image
There was an interesting article in Los Angeles Magazine about women directors. A woman director makes one bad independent film and her career is… — Dick Wolf Copy Share Image
I don't think you can really make television based on what you think audiences want. You can only make stories that you like, because… — Dick Wolf Copy Share Image
There are professional negotiators working for the writers and the actors, but basically you've got the writers and actors negotiating against businessmen. That's why… — Dick Wolf Copy Share Image
The story drove the book. That had a very seminal effect on the way I saw writing and storytelling. If you can set a… — Dick Wolf Copy Share Image
I've known John Landgraf for 20 years. He said it perfectly. People will ask if I've seen X. My response has often been, 'Seen… — Dick Wolf Copy Share Image
People recognize certain things, like 'D' means 'this dialogue stinks.' We're dealing with shows that are written here, shot in New York and posted… — Dick Wolf Copy Share Image
I consider myself one of the luckiest people in the history of show business. — Dick Wolf Copy Share Image
The threat to free television. The reason television is free is because it is a life support system for commercials. That fundamental aspect is… — Dick Wolf Copy Share Image
People do have viewing patterns, and you disrupt those at your own peril. That's something that everybody learned after 1988. The numbers have gone… — Dick Wolf Copy Share Image
I think most people don't react well to being screamed at. It's counterproductive. — Dick Wolf Copy Share Image
Advertising is the art of the tiny. You have to tell a complete a story and deliver a complete message in a very encapsulated… — Dick Wolf Copy Share Image
And the consumer doesn't care. They don't watch networks, they watch TV shows. — Dick Wolf Copy Share Image
