All movements begin and end, and all have been inspired by others that have come before them. They evolve and then deconstruct again. There are very few designers whose aesthetic I'm drawn to on a personal level. However, that's different… — Marc Forster Copy Share Image
When talking with a set designer the dialogue is more centered on locations, interior design, what I like and what doesn't work. There is a certain taste I'm drawn to and feel inspired by, and finding that inspiration is what… — Marc Forster Copy Share Image
Contrastingly to the new model of distribution, we shot Hand of God using the traditional format of film. I myself use very few apps… — Marc Forster Copy Share Image
On 'Stranger Than Fiction,' the script was so good that I stuck to every line because it was just such brilliant writing from Zach… — Marc Forster Copy Share Image
The goal is to align with your core group of collaborators, who understand your vision and aesthetics. I usually show them visual material of… — Marc Forster Copy Share Image
Even with my father and brother dying, I didn't quite process the grief. — Marc Forster Copy Share Image
I thought it would be easy to cast a Bond girl, because there are so many beautiful women in this world. But not many… — Marc Forster Copy Share Image
When you boil it down, it's all a visual expression. In a sense we are all storytellers through what we wear, who we want… — Marc Forster Copy Share Image
I always think it's interesting to switch genres, because if I read a script and I know exactly how to manifest a story, I… — Marc Forster Copy Share Image
What I'm passionate about is telling stories which mean something to me. — Marc Forster Copy Share Image
Three days after my brother died, my father was in the hospital. He just did not want to live anymore. Before, he was fighting… — Marc Forster Copy Share Image
I always try to stay objective, and to remove myself from the process and look at the film again. — Marc Forster Copy Share Image
