All movements begin and end, and all have been inspired by others that have come before them. They evolve and then deconstruct… — Marc Forster Copy Share Image
You can make a global film, which affects so many countries and affects sort of this worldwide epidemic, but it has, zombies… — Marc Forster Copy Share Image
When talking with a set designer the dialogue is more centered on locations, interior design, what I like and what doesn't work.… — Marc Forster Copy Share Image
Contrastingly to the new model of distribution, we shot Hand of God using the traditional format of film. I myself use very few apps… — Marc Forster Copy Share Image
On 'Stranger Than Fiction,' the script was so good that I stuck to every line because it was just such brilliant writing from Zach… — Marc Forster Copy Share Image
The goal is to align with your core group of collaborators, who understand your vision and aesthetics. I usually show them visual material of… — Marc Forster Copy Share Image
Even with my father and brother dying, I didn't quite process the grief. — Marc Forster Copy Share Image
I thought it would be easy to cast a Bond girl, because there are so many beautiful women in this world. But not many… — Marc Forster Copy Share Image
When you boil it down, it's all a visual expression. In a sense we are all storytellers through what we wear, who we want… — Marc Forster Copy Share Image
I always think it's interesting to switch genres, because if I read a script and I know exactly how to manifest a story, I… — Marc Forster Copy Share Image
What I'm passionate about is telling stories which mean something to me. — Marc Forster Copy Share Image
Three days after my brother died, my father was in the hospital. He just did not want to live anymore. Before, he was fighting… — Marc Forster Copy Share Image
I always try to stay objective, and to remove myself from the process and look at the film again. — Marc Forster Copy Share Image
