“The Depression was at its peak in 1933, and so was Blondell. She exemplified the average woman of that dismal period. Audiences could relate to her honesty, her drive, and her humor and strength in the face of adversity. She… — Ray Hagen Copy Share Image
“Her face gave her away: the half-smirk, her shadowy eyes and that look were sure signs that she was up to no good, even… — Ray Hagen Copy Share Image
“In typical [Joan] Blondell fashion she dreams of “being respectable, to live up there with those fine people, to be a civilized human being.… — Ray Hagen Copy Share Image
“Yes, she was probably the most blatantly carnal vixen ever filmed. And yes, she led a private life of considerable vitality and color. But… — Ray Hagen Copy Share Image
“I regret the passing of the studio system,” Lucille Ball once said. “I was very appreciative of it because I had no talent. Believe… — Ray Hagen Copy Share Image
“The Depression was at its peak in 1933, and so was Blondell. She exemplified the average woman of that dismal period. Audiences could relate… — Ray Hagen Copy Share Image
“The vocal credits for Singin’ in the Rain are interesting, and rather confusing. In the film, Debbie Reynolds has been hired to re-dub [Jean… — Ray Hagen Copy Share Image
“If any actress best represents the snappy 1930s dame, it’s Joan Blondell. During that era she played a lively assortment of chorus girls, waitresses,… — Ray Hagen Copy Share Image
“So here they are, a gaggle of highly skilled and utterly unique actresses whose pre-feminist strength and independence were awesome to behold. Whether with… — Ray Hagen Copy Share Image
“The only way to conquer Barbara Stanwyck was to kill her, if she didn’t kill you first. Lynn Bari wanted any husband that wasn’t… — Ray Hagen Copy Share Image
“[Lucille Ball]'s such a TV icon it’s hard for some to separate the two Lucys—the gorgeous, snappy actress of film and the wacky, slapstick… — Ray Hagen Copy Share Image
“Joan [Blondell] had always kept it real, always kept her priorities straight. “I wasn’t that ambitious. I enjoyed a home life more than a… — Ray Hagen Copy Share Image
“A point often ignored in cinema history studies of [Bette] Davis,” wrote Jim Parish and Don Stanke years later of Housewife, “is that Ann… — Ray Hagen Copy Share Image