I think that if you get too close to the character, if you do too much historical research, you may find yourself defending your view of a character against the author's view, and I think that's terribly dangerous. — Tim Curry Copy Share Image
But we live in a modern world, you know, and, and also it does seem to me that if you - that whatever talents… — Tim Curry Copy Share
When I did 'Amadeus,' I hadn't done a play for five years. And I was so happy doing it and felt so foolish that… — Tim Curry Copy Share
I find there is something very intimate about being the voice in someone's ear when they're driving. — Tim Curry Copy Share
I've worked in a few sort of 'institutional' theaters - the Royal Shakespeare, the National Theater in England - and they're hopelessly top-heavy with… — Tim Curry Copy Share
One of the best things that ever happened to me was Rocky Horror being a total flop in New York as a play. I… — Tim Curry Copy Share
I think artists are driven by the engine of their own talent, but it's a question of what use they put it to. — Tim Curry Copy Share
My career has evolved at its own peculiar pace. American careers are supposed to have a much more singular direction than I've been able… — Tim Curry Copy Share
The people on the business side in the music business are kind of different from the theatre business. I think it's partly because there… — Tim Curry Copy Share
I want to establish a wide range and play all kinds of parts. It's that sort of acting career I really respect. I like… — Tim Curry Copy Share
Well, you know... I grew up in postwar Britain, when you were lucky to get anything to eat. People in America have absolutely no… — Tim Curry Copy Share
