It was like being in an elevator cut loose at the top. Falling, falling, and not knowing when you will hit. — Margaret Atwood Copy Share Image
I'm not interested in cutting the feet off my characters or stretching them to make them fit my certain political view. — Margaret Atwood Copy Share Image
It isn't running away they're afraid of. We wouldn't get far. It's those other escapes, the ones you can open in yourself,… — Margaret Atwood Copy Share Image
“Forced to chose between one irascible tyrant and another, Laura had chosen the one which was greater, and also further away.” — Margaret Atwood Copy Share Image
We're facing growing climate change, more floods, more droughts, more crisis on a planetary level, and the systems we put in place… — Margaret Atwood Copy Share Image
She imagines him imagining her. This is her salvation. In spirit she walks the city, traces its labyrinths, its dingy mazes: each… — Margaret Atwood Copy Share Image
There were no men in this painting, but it was about men, the kind who caused women to fall. I did not… — Margaret Atwood Copy Share Image
Every ending is arbitrary, because the end is where you write The end. A period, a dot of punctuation, a point of… — Margaret Atwood Copy Share Image
Something is unfolding, being revealed to me. I see that there's a whole world of of girls and their doings that has… — Margaret Atwood Copy Share Image
People talking about politics usually start from the ass end backwards in that they think you have a political agenda, and then… — Margaret Atwood Copy Share Image
When they came to harvest my corpse (open your mouth, close your eyes) cut my body from the rope, surprise, surprise: I… — Margaret Atwood Copy Share Image
“I'm fine," said Pilar, "for the moment. And the moment is the only time we can be fine in.” — Margaret Atwood Copy Share Image
And yet it disturbs me to learn I have hurt someone unintentionally. I want all my hurts to be intentional. — Margaret Atwood Copy Share Image
“Mary: Some call this "Eve's curse," but I think that is stupid because the real curse of Eve was having to put up with… — Margaret Atwood Copy Share Image
“The birds were singing around me, but I reflected that the very birds were strangers to me, for I did not even know their… — Margaret Atwood Copy Share Image
“Strange how we decorate pain. These ribbons, for instance, and the small hard teardrops of blood. Who are they for? Do we think the… — margaret atwood Copy Share Image
I wanted to forget the past, but it refused to forget me; it waited for sleep, then cornered me. — Margaret Atwood Copy Share Image
“Back at home they drew the curtains and read, with disapproval, with relish, with avidity and glee - even the ones who'd never thought… — Margaret Atwood Copy Share Image
All fiction is about people, unless it's about rabbits pretending to be people. It's all essentially characters in action, which means characters moving through… — Margaret Atwood Copy Share Image
“Simon walks back to the house alone. The night is clear and warm, with a moon, almost full, enclosed in a nimbus of mist;… — Margaret Atwood Copy Share Image
“There is indeed something delightful about being able to combine obedience and disobedience in the same act.” — Margaret Atwood Copy Share Image
“Every time the women appear, Snowman is astonished all over again. They're every known colour from the deepest black to whitest white, they're various… — Margaret Atwood Copy Share Image