Looking at younger artists, like Varda Caivano and Kerstin Bratsch, I see that their work has something in common that is new to my generation. There's an effort to value the evidence of the hand and the handmade thing while… — Jessica Stockholder Copy Share Image
My work participates in that really quick and easy and inexpensive material that's part of our culture. In that way, my work engages the means of production that we live with, even while it's classical and embodies some things from… — Jessica Stockholder Copy Share Image
I am more interested in asking questions about the edges of things and thoughts. So the objects I use are not initially the subjects… — Jessica Stockholder Copy Share Image
Handmade things tend to be so expensive that only a small part of the population can afford them. And yet making things with hands… — Jessica Stockholder Copy Share Image
I've always loved color because it's a little bit like music. I love that it seems to be both physical and ephemeral and engages… — Jessica Stockholder Copy Share Image
I work in response to the limitations of any situation and in relationship to what's possible. — Jessica Stockholder Copy Share Image
Paint is the skin of a painting: it is fiction. In houses, it disguises the plumbing and wiring and studs and nails. — Jessica Stockholder Copy Share Image
Your hands learn to do things that you could spend a whole day trying to write about and articulate. There's a discomfort associated with… — Jessica Stockholder Copy Share Image
In a park, you are not working with studio materials or a flat piece of paper. You have grass and the people and the… — Jessica Stockholder Copy Share Image
I don't think there's any single finished point for a work. It's done when something's happening with the work that feels like a balanced,… — Jessica Stockholder Copy Share Image
There's something about materials like copper, woods, stone, trees, shells. You walk outside and these materials are part of the world before we touched… — Jessica Stockholder Copy Share Image
