I didn't really know how to make a film when I made 'Control'. I had to create my own language, just as… — Anton Corbijn Copy Share Image
With a film, you try to keep your vision in it. I think with 'The American' and 'Control' I managed to do… — Anton Corbijn Copy Share Image
'Control' had to do with my own life a lot, and that's why that seemed to be a film I could be… — Anton Corbijn Copy Share Image
I don't think I treat my film work as an extension of my photography. There are two different sets of rules there. — Anton Corbijn Copy Share Image
I think if you don't feel passionate about the first movie you're doing, in the end the project will lack something because you don't… — Anton Corbijn Copy Share Image
I feel that when I shoot anything, and I have something beautiful, I just move on. — Anton Corbijn Copy Share Image
I've done an incredible amount of painters. It's an area, for me, where there's more mystery left. I've photographed so many musicians, I've been… — Anton Corbijn Copy Share Image
By self-analysis you can not change your character, but you may change your mentality. — Anton Corbijn Copy Share Image
I don’t crop my images and I always shoot handheld. By doing that I build in a kind of imperfection and this helps to… — Anton Corbijn Copy Share Image
I don't have lights, I don't have assistants, I just go and meet somebody and take a photograph. That's really basic, and that's how… — Anton Corbijn Copy Share Image
I've gotten used to not looking too far into the future; it's best when you can begin each day anew. — Anton Corbijn Copy Share Image
I work using the Brian Eno school of thinking: limit your tools, focus on one thing and just make it work… You become very… — Anton Corbijn Copy Share Image
I wanted to do a film for a while, but I never found a script that I felt I was going to be the… — Anton Corbijn Copy Share Image
